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**************************************************************** ARCHIVE ****************************************************************
++++ The Manifesta archive consists of text, sound and visual recordings provided by
the artists we spoke to over the nine months spent researching and developing
this project.
From the outset of this prospective phase we thought that this heterogeneous
collection of documentation would offer a striking reflection of our exchanges,
our methods and our way of looking at art. Also, we have also known intuitively
that this archive room could not be allowed to remain closed or secret, but
should constitute a nerve centre, a space for work and reflection open to other
researchers and visitors, whether professional or not, enabling them to apprehend
the diversity of contemporary artistic practices.
++++ All through our travels in an extended Europe, this project of a public archive
centre was constantly pushing us to work and reflect on our approach to the
coming exhibition, on our criteria and methods, on the differences between us,
on our relations with the artists and with past and present art, on our systems
of inclusion and exclusion and, finally, on our roles as curators. Founded on
the objective fact of encounters with some thousand artists and/or their work,
this space gradually took on a metaphorical dimension as the partial and intensive
image of a community of people who live, think and make art.
The archive includes background material about artists that do not as well
as do participate in Manifesta 4. That is because one of the functions of the
archive is to make available the wider context of a particular work included or
not included in the exhibition. Any exhibition is restrictive by necessity,
so the logic of the archive is based on a comprehensive combination of contexts
that will make the exhibition less restrictive and more informative about contexts
of countries, media, generations, trends, artistic trends. The archive is expanding on the context of each artist and his/her work in Manifesta 4 by providing
the background of colleagues, other works, other issues, and vice versa.
Conceived by French artist Mathieu Mercier as an open construction site, this
space brings to light the geographies, materialities, crossovers and modes of
mobility, exchange and transport informing thinking on contemporary art today.
++++ The Curators
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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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